IN·NO·SENSE? NONSENSE! Expanded Vinyl Edition
Album
2 x LP
 
 
Label:
Music On Vinyl B.V.
Catalogue Number:
MOVLP2380
Matrices:
25383 AB
25383 CD
Audio:
Stereo
Speed:
33⅓ RPM
Release Date:
Unreleased
Pressing Date:
21st November 2018
Countries:
United Kingdom
Manufactured by
Music On Vinyl B.V.
Made in
the EU
Other Data:
Test Pressing
 
 
 
 


 
 
 

 

 
 
A1.  GALLEONS OF STONE [1:11]
A2.  DRAGNET [3:27]
A3.  FIN DU TEMPS [2:04]
A4.  HOW RAPID? [0:51]
A5.  OPUS FOR FOUR [3:11]
A6.  DEBUT [1:45]
A7.  E.F.L. [5:36]
B1.  ODE TO DON JOSE [4:14]
B2.  A DAY AT THE RACES [4:02]
B3.  COUNTERPOINT [0:56]
B4.  ROUNDABOUT 727 [0:45]
B5.  RANSOM ON THE SAND [1:16]
B6.  ROLLER 1 [3:30]
B7.  NOTHING WAS GOING TO STOP THEM THEN, ANYWAY [0:44]
B8.  CRUSOE [3:37]
B9.  ONE EARTH [4:29]
 
C0.  (The No Nonsense Studio Jams)
 
C1.  THEATRICAL (E.F.L.) [3:39]
C2.  RACING [5:25]
C3.  LAST CHANCE TO DANCE (Edit) [3:37]
C4.  FABERGE 12 (Opus For Four) [2:46]
C5.  EXERCISE AND POOL MONTAGE [1:38]
 
D0.  (The Mixes Stop Here!)
 
D1.  LEGACY (12" Mix) [8:21]
D2.  DRAGNET '88 (12" Mix) [7:16]
D3.  2 MANY THANKYOUS [0:32]
D4.  ONE EARTH (New Mexico Mix) [6:23]
 
Written by Dudley/Jeczalik and published by Buffalo Music/BMG Rights Management
except: A1 & B5. Written by Jeczalik and published by BMG Rights Management
A2 & D2. Written Schumann and published by Carlin Music Corp.
A6 & B3. Written by Dudley and published by Buffalo Music.
D1. Written by Dudley/Jeczalik/Langan and published by Buffalo Music/BMG Rights Management
 
Arranged and produced by An Art of Noise
Written and performed by Anne Dudley & J.J. Jeczalik
An Art of Noise production
 
A1, B2 & B5. Recorded and mixed by Bob Kraushaar
A2 & B1. Recording engineered by Roger Dudley.
A2. Mixed by Ted Hayton assisted by Dietmar Schillinger
Robert Ahwai - guitar, George Webley - bass, Frank Ricotti - percussion.
A3. Recording engineered by Bob Kraushaar
A3 & B1. Mixed by Jon Jacobs assisted by Jay Bee.
A4, B3 & B7. Recording engineered by Ted Hayton at Ely Cathedral
Ely Cathedral Choir directed by Dr. Arthur Willis,
The Choristers: Benjamin Adderley, Francis Ambrose, Douglas Bowen, Keith Burrows, Alexander Costello, Benjamin Dixon, Jonathan Edge,
Benjamin Greatorex, Simon Harris, Robery Howe, Adrian Hum, David James-Roll, Matthew Meynell (Deputy Head Chorister), Timothy Morgan, Daniel Parker, Alastair Stout, Alistair Taylor, Ian Weide (Head Chorister)
Lay Clerks: Tim Barthope, Harold Lindsay (altos?)
Peter North, David Watt (tenors)
Richard Clover, Paul Smith (bases)
Director of Music: Dr. Arthur Willis.
A5 & A7. Recording engineered by Stuart Breed assisted by Lance Phillips, mixed by Ted Hayton assisted by Nick Varack
Dave Bronze - bass, Frank Ricotti - percussion, Paul Robinson - drums 
A6. Recording engineered by Richard Lewzy, mixed by Bob Kraushaar assisted by Nick Varack.
Orchestra conductor - Colin Sheen
Orchestra leader - John Gioriadis
Violins: Bernard Partridge, Desmond Bradley, Roger Garland, Colin Stavely, David Katz, James Archer, Howard Ball, Barry Wilde,
Ian MacKinnon, Liz Edwards, Antonina Bialas, John Bradbury, Galina Solodchin, Peter Oxer, Peter Hanson, Davis Weekes, Mark Thomas
Violas: Rusen Gunes, Graeme Scott, Norris Bosworth, Tony Harris, Cellos: Peter Willson, Quentin Williams, Alan Dalziel, Marilyn Sansom,
Cathy Giles, Robin Firman
Double Basses: Mike Brittain, Tony Martin.
B4 & B6. Recorded and mixed by Roger Dudley.
B6. Tony Fisher and Maurice Murphy - trumpets, James Talbot - saxaphone, Colin Sheen - trombone
B8. Recorded engineered by Roger Dudley, mixed by Ted Hayton
B9. Recording engineered by Barry Clempson, mixed by Bob Kraushaar assisted by Nick Varack. Peter Rowan - the voice
 
The Making Of...
(Reel 4): C1, (Reel 3), C3 & C4. Engineered by Stuart Breed, assisted by Lance Philips at Air Recording Studios, 28th May 1987
C2 & C5. Originally Recorded May 1987, mixed by Gary Langan, May 2018
 
Labels and Matrix/Runout info.
 
25383 1A MOVLP 2380
25383 1B MOVLP 2380
 
 
MAX25383 1C MOVLP 2380
25383 1D MOVLP 2380
 
Covers (fronts and backs)
 
 
Curator's Notes:
 
There are no actual writer/publisher or production credits upon this test pressing. To date, this is the only black vinyl pressing for the Expanded Vinyl Edition.

 
 
 
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